Murayama Oshima Fabrics
While the history of this kimono cloth only seems to date back to the middle of the 19th century, it was in 1920 that the techniques associated with two different cloths were combined to produce the silk cloth known as Murayama Oshima Tsumugi.
Nagoya Black Dyeing
At the beginning of the 17th century, the Owari clan controlled the area centered on present-day Nagoya. It was then that the Kosakai family--one of the families of retainers--was recognized as clan dyer by the Shogun, Tokugawa Ieyasu, and the making of clan flags and banners at this time led to the establishment of this craft.
Hikone Household Buddhist Altars
Gradually during the 18th century, highly skilled armorers, lacquerers and other artisans were encouraged by the Hikone clan to work on the making of household altars, at first more or less as a ""cottage industry"". Subsequently with the rise in popularity of Buddhism and the patronage of the Hikone clan, a production center became established, forming the foundations of the small craft industry as it exists today.
Suruga Bamboo Ware
Suruga Takesensuji Zaiku dates back to the beginning of the Edo period (1600-1868) when warriors almost exclusively made bamboo goods as a side job in more peaceful times. In the 19th century, the feudal lord in Okazaki, who was skilled in the art of bamboo weaving, passed on his techniques to Shimizu Inobei. Using these techniques, he made candy bowls and insect cages to sell to travelers on the Tokaido, the main road between Kyoto and Edo.
Kawatsura Lacquer Ware
The beginnings of this craft go back to the Kamakura period (1185-1333), when the younger brother of the lord of the fief who ruled this area, ordered the retainers to take up lacquering pieces of armor and weaponry as a job, using locally tapped lacquer and Japanese beech cut from the mountains in the area. The making of bowls began in earnest in the middle of the Edo period (1600-1868) and by the end of the period work was concentrated on the three districts of Kawatsura in what is now Inakawa-cho, Odate and Minashi and the making of everyday pieces of household goods flourished in what had become a production center.
Tokamachi Akashi Crepe
Towards the end of the 19th century a sample roll of summer-weight kimono cloth was brought back to Tokamachi from Nishijin in Kyoto. Work then began on adapting an existing local weave called Tokamachi sukiya with a view to producing something new. A great deal of effort was then put into developing and improving the ways of tightly twisting up weft threads, resulting in improvements to another existing cloth, yorisukiya.
Naruko Lacquer Ware
At the beginning of the 17th century, the lord of the fief in the area where Naruko is situated, dispatched lacquerers and maki-e craftsmen to Kyoto to develop their skills, in an attempt to raise the popularity of the local product. According to a late 18th century document various household items were being produced and by then the production of lacquer ware was the main employment for the people of Naruko.
Yuntanza Hana-ui Fabrics
Although it is uncertain actually when, some people think that this type of weaving came from the South because of its very particular floral designs. What is certain, however, is that the cloth was being produced in the 15th century because records show that gifts of this figured cloth were sent to Korea.There are also records of the cloth being presented to the King of Ryukyu from Java.
When the head of the Tokushima fief ordained that porcelain in the style of Nanking and Karatsu Yaki should be produced in 1780, craftsman were brought in from the island of Kyushu, a kiln was built and production began.
Echizen Lacquer Ware
It is thought that this particular lacquer ware dates back to the 6th century. A lacquerer was ordered to recoat the kanmuri or formal headpiece of the Emperor of the times. The lacquerer also presented a black lacquered bowl to the Emperor who recognized the quality of his work and it is thought that it was this encouragement which led to the establishment of Echizen Shikki as an individual ware.
Sendai tansu grew as a local industry of the Sendai-han beginning in the final years of the Edo period (1603 - 1868). The kijiro-nuri wood treatment that brings out the wood grain, and the deluxe metal fittings that decorate the chests are distinctive features of this craft.
It seems likely that Yame Chochin came into being sometime at the beginning of the 19th century with the painting of simple decorations on a rudimentary form of paper lantern. By the middle of the same century great advances had been achieved in the design, causing something of a revolution in their making. And, by the end of the century, lanterns occupied an important position within local industry.